(Source: markoruffalo)

lucid-dancing:

the face of parenthood

lucid-dancing:

the face of parenthood

(Source: tastefullyoffensive)

awwww-cute:

This is Rasputin

awwww-cute:

This is Rasputin

soyonscruels:

I’ve made a lot of mistakes in my life but at least I didn’t just give Steven Moffat an Emmy

tracylord:

“I blocked it out until the last moment where all of a sudden it hit me, that this person that I was standing in front of as I know him and have known him for such a long time, that this aspect of our relationship was coming to a close. We embraced and I just burst into tears. We held our embrace for a really long time and I think it was just flooding over us, the importance of this agreement that we’ve had to be in each other’s lives in a very powerful way.”

Gillian Anderson

“I think it was written that Scully gives Mulder a kiss on the forehead. Kim Manners was there [directing], and I was so confused at that point that I didn’t trust my feelings about it because I had so many personal feelings. It was eight years of my life. I didn’t know what would be an appropriate ending. I didn’t know. And when Kim and I read it as we were about to shoot it, he said, ‘We’ve done that 100 times, the whole hand holding and the kiss on the forehead. Let’s do a real kiss.’ I was like, ‘Yeah, that feels right.’”

David Duchovny

“The last shot in the picture was Gillian handing David the baby in her bedroom. David leaned over and gave her a kiss, and the camera then pulled back out of the doorway and just kept going down the hall. We got the shot, and we cut it and printed it; the nurse came and took the baby away. And David put his arms around Gillian, and she put her arms around him, and they stood there for about ten minutes, and never said a word to each other. The tears were just rolling down their faces, and the whole crew stood there and watched this in silence. It was truly one of the most emotional experiences I’ve ever witnessed in my life.”

Kim Manners, director

thepluralisphoenixii:

imkatandimawesome:

sansaspark:

During the scene when Mulan decides to go to war instead of her father, she decides to do it while sitting on the foot of the Great Stone Dragon. The image of the dragon looking over Mulan is repeated several times throughout the sequence, and the bolts of lightning strike at significant times whenever the dragon is in sight. When Mulan takes her father’s scroll and when she is praying to her ancestors, the Great Stone Dragon can be seen. It is also engraved on the sword Mulan uses to cut her hair and the handles of the wardrobe containing the armor are in the shape of the dragon’s head. The dragon’s eyes glowing in the temple symbolizes Mulan’s role as protector of her family awakening, instead of the actual dragon.

The reason Mushu couldn’t wake the dragon is because the dragon was no longer there. Mulan is implied to be the Great Dragon that protects her family.

CHRIST HOW DID I MISS THAT AFTER ALL THESE YEARS

WHAT

tattoo-on-my-heart:

this is the best thing I’ve seen

(Source: shigeako-cosplay)

Not a day shall pass that I don’t miss your smile.

(Source: mymindrebels)

You deserve someone who knows how to make things up to you after hurting you. Not someone who is very good with just the word “sorry.”

spatscolombo:

Q: How good is Bones at foreplay?

A: So good we’re talking about it in parallel universes and time-traveling undercover from the future to tell you about it and also apparently letting him into med school and assigning him specific missions because of it.

Seriously just consider the fact that Star Trek has gone out of its way to make Leonard McCoy’s famously generous lovemaking a goddamn universal constant